Wood, glass, lacquer
70 x 110 x 50cm
Collection: Sammling Nasjonal Museet, Oslo, Norway
……. the consciousness of two observers observing one another and wanting to present themselves with equal value. Nothing is privileged here: volumes and forms, positive and negative space, opacity and transparency, shape and shadow, architecture and furniture all embody balance and equal measurement …. in their essence as systems of belief and communication.
Germano Celant, Langlands & Bell – The Transparency of Architecture, Serpentine Gallery / Kunsthalle Bielefeld / Grey Art Gallery, 1996